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In conversation | Cultural ambassador






















           Bottom: “To
          Mr. Franklin
            A. Ford”
          (performance
          for G. Seferis).
        Κάτω: «Προς τον
         κύριο Φράνκλιν
            Α. Φορντ»
         (παράσταση για
         τον Γ. Σεφέρη).
                                                     Does Kavala inspire you? How?
                                                     Of course it inspires me, otherwise I would not be able to do
                                                     anything. The city of Kavala is marked, one could say, by the
                                                     tobacco era. That was its golden age, the Inter-War Years. It
                                                     was a cosmopolitan city, with the bittersweet essence of to-
                                                     bacco. I walk around cities. You can inhale the energy of a city
                                                     by aimlessly through it, walking without a purpose really, tak-
                                                     ing a dog for a walk, where in this case the “dog” may be you,
                                                     as you may not have a dog. That is what I say, in jest. They ask
                                                     “Where are you going?” and I answer “I’m taking the dog for
                                                     a walk”, and I am the dog. Well, the dog guides me, and al-
                                                     ways discovers something along the way. If you let him roam
                                                     around something always turns up, so I trust the dog’s nose.
                                                     What parts of the city must people definitely visit?
                                                     The ancient theatre of Philippi, the archaeological site which
                    search of adventures, and he’s not Sinbad the   is now protected by UNESCO, the castle, the docks, the Old
                    Sailor. He wants to return to his home, his   Town (Panagia), the boatyards, Profitis Ilias Church, the route
                    homeland; so in a sense, he wants to return to   from Palaia Kavala, the water way trail, Kamares – all of these
                    himself, which is very important. “The Odys-  are must-sees, and ideal for aimless wanderings. Kavala has
                    sey” will be strewn on the beach, in the boat-  been blessed geographically and has abundant energy, which
                    yard, in the lighthouse, because it has a ma-  just requires discovering. The great Kavala experience involves
                    rine theme. It will be heard in translation, and   walking, listening to the sounds of the tobacco warehouses.
                    of course in the Modern Greek of the inimi-  Make a map of the warehouses and walk alone, no telephone,
                    table Maronitis, as well as in the Cretan and   to listen to the voices, sounds and whispers of Kavala back in
                    Pontic dialects by Giorgos Psychountakis and   the day. Tie a piece of rope from the first to the last warehouse
                    Giorgos Kotanidis respectively. Many people   and walk, without a phone, to listen to the sounds and mel-
                    will participate, various rappers will perform;   odies, with your nose wide open, to smell the tobacco. And
                    it will be a large-scale artistic event based   then, take a walk around Panaghia, that amazing part of the
                    around “The Odyssey”, almost like a cele-  city that has remained intact, not torn down like other parts,   Maria Kalogiorgi
                    bration. I think Kavala puts on its best outfit   so that you can admire the city from above.
                    every summer and wears its Festival.   Έργάζεται στο θέατρο τα τελευταία τριάντα πέντε χρόνια

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